A new Home collection explores the power of nostalgia, one calico print and ruffled sham at a time.
By Shannon Adducci
Nostalgia for ‘90s minimalism may be coursing through fashion and pop culture right now, but in the realm of home and interior design, an opposing aesthetic revival reigns: shabby chic—that rumpled, bohemian-inspired interiors look, first identified in the late ‘80s, definitive of the ‘90s home and currently resonating under the moniker of cottagecore. In 1988, The World of Interiors defined the look as “a conscious rejection of cultivated style.” Think unmade beds, well-worn rugs, unrestored antique furniture, wallpapers in ditsy florals and calico prints, haphazardly coordinated textiles, ruffled shams, ruffled bed skirts—ruffled anything.
Summer is more than a season. It’s a natural world of endless blue skies, the ocean, green fields, and white fences, rusticity and elegance with a quality of light that inspires dreamers year after year.
It could also be summed up by the aesthetics of Nora Ephron’s films with Meg Ryan, from Sally Albright’s wicker headboard, blue-and-white floral bedding, and mismatched quilt in When Harry Met Sally… to the entirety of Kathleen Kelly’s apartment in You’ve Got Mail. Sleepless in Seattle may have had a less obvious set design, but all three films conveyed messages about Ryan’s characters through their interiors shots. The patchwork quilts, the thrown-together floral bedding, the ruffled lampshades, worn furniture, and personal knickknacks (like Sally’s plush penguin toys) reflected shades of vulnerability, intimacy, warmth, and authenticity—attributes that also made the design trend so desirable in real life.
Summer is more than a season. It’s a natural world of endless blue skies, the ocean, green fields, and white fences, rusticity and elegance with a quality of light that inspires dreamers year after year.
It could also be summed up by the aesthetics of Nora Ephron’s films with Meg Ryan, from Sally Albright’s wicker headboard, blue-and-white floral bedding, and mismatched quilt in When Harry Met Sally… to the entirety of Kathleen Kelly’s apartment in You’ve Got Mail. Sleepless in Seattle may have had a less obvious set design, but all three films conveyed messages about Ryan’s characters through their interiors shots. The patchwork quilts, the thrown-together floral bedding, the ruffled lampshades, worn furniture, and personal knickknacks (like Sally’s plush penguin toys) reflected shades of vulnerability, intimacy, warmth, and authenticity—attributes that also made the design trend so desirable in real life. Fast-forward to today, and there is a distinct whiff of this sensibility in Ralph Lauren Home’s new Meadow Lane collection, a line that combines the crisp, nautical blue-and-whites of coastal design with hints of a romantic, lived-in warmth, reminiscent of Ralph’s own vintage home sensibilities. In fact, it’s a through line that’s been part of the Home collection since it launched in 1983.
“Summer is more than a season. It’s a natural world of endless blue skies, the ocean, green fields, and white fences, rusticity and elegance with a quality of light that inspires dreamers year after year,” Ralph said at the launch of Meadow Lane. He could have also been referencing his own beachside homes through the years: rustic, well-loved spaces that he and Ricky lived in during summers when their children were young, before settling in Montauk.
Just as Ephron did with those cinematic bedroom scenes, it’s perhaps easiest to spot Meadow Lane’s sensibility through its bedding. Here, a series of blue-and-indigo patchwork shams and throw pillows, done in yarn-dyed plaid, are the entry points, along with floral indigo duvets and comforters. Other throws feature delicate calico prints, hand-quilted onto cotton voile with a miniature lace trim, or refreshed sailing stripes. Another throw, the chambray-clad Delaney, embodies the very yearning of cottage nostalgia. Its fabrication is the same as Ralph’s chambray dress shirts, but it’s the reintroduction of a ruffle trim and the exquisite detailing of a cross-stitch logo that take the pillow into heirloom territory. Textiles and wallcoverings in coordinating calicos and stripes add to the beach cottage feel, with sun-worn blues enveloping rooms and swathing upholstered furniture, whose legs see the return of a ruffled skirt. Sun-washed rugs give the appearance of a well-visited home, and box-pleated silk lampshades, wicker accessories, and indigo-glazed porcelain table lamps all add layers of homeyness.
On the table, a series of Antique Marble dinnerware is the star. It’s part of Ralph’s ongoing partnership with English pottery maker Burleigh and uses earthenware with an intricate hand-done dotwork pattern that is then stippled by artisans before using the 250-year-old tissue transfer method to apply the custom design. The result is a one-of-a-kind marbled pattern in deep indigo on each piece, a motif that places well with the existing Ralph Lauren x Burleigh Garden Vine and Faded Peony dinnerware collections. It all adds up to a collection whose details point to the very thing that makes nostalgia so alluring: comfort.
SHANNON ADDUCCI is a writer and fashion editor based in New York. Her work has appeared in Elle, GQ, Departures, Robb Report, WWD, and T: The New York Times Style Magazine.
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